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In addition, Hattenhauer uses theories of Narratology to attempt an interpretive unification of Ms. But psychology is not the only tool of analysis. Approaching the conclusion, Hattenhauer states that society selected Jackson as its object, and her production, as the record of its contradictions They have not been considered in the above primary works selection for two reasons. Poe alas is inescapable: his nightmares were and are universal. He earned his Ph. Since he is greatly improved by translation even into English , Poe has endured, and cannot be discarded, or even evaded BLOOM, , p.

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He ends his unsavory and unflattering introduction by stating that: Jackson certainly aspired to be more than an entertainer; her concern with sorceries, ancient and modern, was authentic and even pragmatic. But her art of narration stayed on the surface, and could not depict individual identities. The rest of his text is relatively free from his bromidic and platitudinal prose because it is mainly descriptive in nature and, whenever opinions are concerned, they are that of the critics he has selected to compose the work, not his own.

The book leaves the reader wondering why Bloom chose Jackson to be part of his collection anyway or — should that be the case — why he accepted to be forced by his editors to write about her in the first place. Joyce Carol Oates disagrees. To her, Ms. Paul N. As its name suggests, it includes reviews from the period the original fictional texts appeared as well as the later criticism. The author, Paul Reinsch19, acknowledges that the fallacious labels attributed to Jackson have led 19 Paul N.

Reinsch holds a Ph. There are also interviews along with biographical comments and other materials. Once granted that Jackson has a much wider scope of literary accomplishments than commonly believed, and that she was engaged with the pressures and preoccupations of postwar America, Murphy admits that the honored writer merits more discussion.

In other words, the main objective of her collection of essays is really to widen the reach of Jackson scholarship with new views on otherwise forgotten texts such as the novel The Road through the Wall and the mildly celebrated We Have Always Lived in the Castle. What makes her enterprise different from other endeavors is the fact that her collection of essays range from topics as varied as domestic fiction, ethics, cosmology, and Dodge College of Film and Media Arts in Chapman University located in Orange, CA.

Bernice M. Program in Popular Literature. Other than that, her book allowed the criticism produced in the previous two decades, which were typically intended to more limited-circulation media, to appear in book form and hopefully to be distributed to a broader spectrum of readers. Graduate Works By , one of the most common complaints Jackson researchers have issued was that there was too little critical material on her life and works.

Half of her books are now out of print.

That may as well be the first historically-recorded formal complaint on the subject matter. This picture is but moderately different over forty years later. Scholarship on Jackson is still very far from the desirable, this means too many topics and themes have not yet received due scientific attention.

Be that as it may, a number of about ten graduate-level researches for such an important author seems pitifully low. Theses and Dissertations Academic interest in Shirley Jackson and her works has been recorded since Graduate level research in the form of theses and dissertations since They are presented in this subsection and are briefly commented upon with special attention devoted to the diversity of literary features they explore. In order to gather this longitudinal data an ordinary survey was conducted with the objective of constructing, for the first time, an annotated- descriptive plan of the main academic research on topics directly or indirectly related to Shirley Jackson and her works all over the world.

Table 1.

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Curiously, it was in the year of that two of the Scandinavian studies were defended. Its aim is to better visualize the increase in graduate interest in the topic in the last years. Figure 1. Payne defended a page long undergraduate thesis entitled The Element of Magic in the Works of Shirley Jackson, thus being the earliest research endeavor ever to be registered on the topic of Shirley Jackson and her works.

Edgar Held. The following paragraphs present commented data organized chronologically from a selected number of the theses and dissertations shown in table 1 few information could be found digitized from texts prior to the s. His dissertation can be found at the New York University library in Albany, NY and is not available online at present.

The protagonist of the first novel is scrutinized in accordance to the Bildungsroman genre typology in which the focus lies on the psychological and moral growth of the main character from youth to adulthood. In it, she provides critical strategies for examining the gothic novel.

Besides these themes, the researcher investigates six other novels from six other woman writers of gothic fiction. In , Joyce Jackson Bender defended a page long doctoral dissertation entitled Shirley Jackson's troubled women: Agoraphobia and the fiction of fear. The depiction of this fitful illness ends up by painting an accurate picture of the troubled times in mid-twentieth century America.

To her, Jackson shows through her works that patriarchal dominance and oppression can be fought. To Jackson, escape is not permanent, and insanity is a way out, though admittedly counterfeit. She questions the quality of life that remains after the battles are fought; and that is true for Eleanor Vance, Merricat and Aunt Fanny. Her argument is based upon feminist archetypal theory.

Her focus is on the recurring themes and techniques the author craftily used. Early on her text, she admits that Jackson was a prolific writer of some acclaim in her own day who failed to achieve a potentially lasting fame, a circumstance worsened by her early death in Bowers uses a highly relativistic approach that approximates to a practical close reading mode of critical analysis. She argues that Jackson's recurrent concern was with the generic global struggle to remain intact under the burden of everyday human existence.


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According to him: These paratexts, used as epigraphs and an epilogue respectively, not only allude to the central idea of the demon lover in various historical and religious contexts, thus emphasizing the importance of history, they also help underline and, to a certain extent, explain the mysterious presence of James Harris, a recurring character identified as a demon lover. Furthermore, the presence of supernatural elements aims to aid in the representation of a foreboding coloring of reality and not an escape from it, he argues.

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This writing is seen as an original and important tool for questioning gender roles, feminist issues, cultural practices and fictional creation. She argues that the New Critical approach contributed to untheorizing domestic humor and marginalizing genres, thus yielding disenfranchised writing practices that would not permit housewife humor to fulfill one of its most important roles, that is, to serve as a resistance agent: Understanding that contemporary feminist evaluations seek to reconcile the critically acclaimed "other" work of writers such as Jackson, who also wrote gothic short stories and novels … , I generate an understanding that "serious" writers of other genres can also be serious writers of personal domestic struggle.

I argue housewife comedy as a genre haunted by mother figures and rooted in a female body coded as an abject body a shared subjectivity with the student body. His study offers a bio-cultural explanation for the fierce criticism received upon and after its publication in He also observes the manner in which readers react to the short story nowadays. I also argue that the socio-political climate of mid-century America was especially conducive to reinforcing these inborn propensities. Its online edition can be currently purchased at ProQuest, a website specialized in the collection of academic dissertations and theses.

There are intense similarities between his novel, a haunted house story, and Ms. According to Hulseman, Hill House focuses almost exclusively, nearly to a claustrophobic intensity, on Eleanor Vance, its protagonist. His novel focuses on its protagonist with similar energy. Echoes openly shares other characteristics with Hill House; for example, both main characters are shy and somewhat emotionally disturbed and both are single women.

Smith, in its two versions named version 1 and version 2. The objective of her thesis was to perform contemporary revisions on some stories, written by the authors mentioned in the title, which hold references to the fairy tale motif of Bluebeard, inspired by the homonymous French story by Charles Perrault. I will do this within a reception study paradigm. She explains that she has chosen both versions of the same story not only because they were written by same author and are similar in several ways, but mainly because their differences may account for a good deal of interpretation on regards to one another.

Nevertheless, the fairy tale is present in the suspicions of a murderous husband. Also in , Colin Haines defended a page long doctoral dissertation, entitled "Frightened by a Word": Shirley Jackson and Lesbian Gothic22, with the intention of examining representations and configurations of lesbianism in literary narratives. His objective was, considering that the representations of sexuality between women in literature often tend toward the ghostly, the Gothic, to explore the ideological import of these representations.

His study also sought the consequences of hiding lesbian motifs that way. Another important issue was that of subjectivity. His other themes involve parody, the abject, "compulsory heterosexuality", ideology, Louis Althusser, psychoanalysis, Sigmund Freud and Julia Kristeva. In , Brian Russell Hauser defended a page long doctoral dissertation, entitled Haunted Detectives: the Mysteries of American Trauma, on the theme of how detectives in American motion picture narratives deal with supernatural elements. He specifically looked into movies from the s, early in his text acknowledging that even though films containing these traces are not necessarily originary from this moment in time, it was in this decade that they started having a more remarkable and widespread reach.

After discussing and analyzing a series of other topics, he concludes that the astonishing predominance of these kinds of narratives in the s is due to a plangency between the mechanics of trauma and memory and the patterns of millennial thinking in the United States in that decade. His dissertation, advised by Ohio State University Professor Jared Gardner, relates to the areas of American literature, film studies; television studies; trauma studies; supernatural fiction; detective fiction; haunted houses; the uncanny and fake documentary.

Hauser suggests that spaces can be just as traumatized as people. Then, he applies the concept to The Haunting of Hill House and its several film and television adaptations, in order to argue that the influential haunted house tales he mentions along his dissertation have helped repress scientific research into the paranormal as a reputable field of inquiry and the paranormal researcher as a commendable vocation.

The title of her text is not available online at this moment.

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In , Heather D. Her literary analysis gives rise to broader topics such as society and its internal relations in post-second world war America. She uses the trickster figure also as lenses with which to view issues of gender politics and feminism.


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